Guests for the 2025 Moreton Traditional Sing
Andy Turner
Andy Turner
Web site: Andy Turner
Graham Pirt
Graham Pirt
He started singing in school and church choirs and as a young guitar playing teenager, joined his neighbour’s group to perform in working men’s clubs.
By 1963 he ventured into his first folk club, the Coffee Pot, in South Shields: it was there that he met some of his early inspiration, Barry Dipper and Don Day, who inspired his interest in songs of the North East. The following year he found the Folksong and Ballad Folk Club at the Bridge in Newcastle, which was to be a regular haunt, along with the Beacon, Marsden Folk club as well as Folk & Blues in Westoe.
At the Bridge he would often sing 'from the floor' before being asked, one evening to sing from the stage. This was, possibly, the most intimidating performance of his career-facing the audience from the stage while, behind him, sitting in a row, were Johnny Handle, John Brennan, Laurie Charlton, Foster Charlton, Tom Gilfellon, Louis Killen, Colin Ross and Ray Fisher!
Over the years his repertoire became increasingly based around Durham and Northumberland and includes border ballads.
As students at the same college, he and Alistair Anderson performed as a duo for a while. Graham continued performing solo at clubs and festivals until he was approached by Keith Marsden to sing with Cockersdale. After the death of Keith Marsden in 1991, the partnership with the remaining members of Cockersdale continued until 2014, when the group disbanded. Graham still performs his own solo work and occasionally sings with his son Sam Pirt.
Discography
Concertina Workshop – Alistair Anderson & Graham Pirt
Doin’ the Manch - Cockersdale
Been Around For Years – Cockersdale
Wide Open Skies – Cockersdale
Picking Sooty Blackberries – Cockersdale
Fyre & Sword – Border Ballads – Fellside
Graham & Sam Pirt – Graham & Sam
Banklands – Cockersdale
Kirsty Hannah
Kirsty Hannah
Marianne McAleer
Marianne McAleer
A resident in Somerset for over thirty years, Marianne leads workshops in traditional singing at folk festivals. Her influences include Dolores Keane, John Tunney and a raft of young singers encountered at Scoil Éigse down the years.
She has recorded two CDs: “The Sweet Nightingale” in 2002 and “Charmed” in 2014.
Moe Keast
Moe Keast
I was lucky to be in Cornwall in the 60’s when traditional singers like Bob Cann, Tommy Morrissey, Charlie Pitman and Charlie Bate were singing locally and I was able to glean many songs from them and they gave me, amongst other things, the expertise needed to shut up a noisy pub! I am very proud to be the carrier of their songs.
I have won the Best Performance of a newly written song at the Pan Celtic Festival in Ireland when I represented Cornwall. Recently I started writing in the Cornish Dialect and was awarded the Gorsedh Awen Medal for ‘It T’Aint All Poldark and Pasties’ in the dialect class.
I have played many festivals including Sidmouth, Whitby and Lorient in Brittany and have appeared in all the Celtic Countries, showcasing the traditional songs of Cornwall.
Scott Gardiner
Scott Gardiner
Career highlights include representing Scotland at the Smithsonian Folklife Festival in the USA; winning the Bothy Ballad World Championship in Elgin; three nominations for Scots Singer of the Year at the BBC ALBA Scots Trad Music Awards and, along with guitarist Johnny Kemp, becoming the first man to get a Mexican wave going at Dunfermline Folk Club.
Sue Harris
Sue Harris
For many years she has collaborated with Polly Bolton to run an annual singing camp and a number of singing retreats in South Shropshire. They recently performed a show about three women gardeners – ‘Trugs, Tiaras and Tea’ in gardens around Shropshire and Worcestershire.
Sue also plays Hammered Dulcimer in Polkaworks ceilidh band and the English Dulcimer duo with Lisa Warburton. For many years she has led her community band – Bandamania – in Presteigne, for which she arranges traditional music and writes many tunes.